https://peertube.libertus.duckdns.org/about/instancehttps://peertube.libertus.duckdns.org/videos/localhttps://peertube.libertus.duckdns.org/w/8b6i32SSnxr7m4hFgFL9kThttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/0974ae0e-46d4-4685-9038-44982f4a8575.jpg"Angry Birds" but it's a three voice fugal invention! 🎹 🦉 - Josep Castanyer Alonso🎹 Sheet music transcription: https://payhip.com/b/PH20D After the Barbie Girl Fugue (https://www.youtube.com/watch?v=qsE7H6YPfco), it was time for more fugal nostalgia, this time from the 2010s! For this video, I wrote, played, and recorded a three-part invention in fugato style based on a short but very recognizable motif from the Angry Birds game soundtrack. I tried to showcase the contrapuntal structure and formal evolution of the piece with my habitual self-made visuals —which are a bit more complex (and cool!) this time— emphasizing the concept of a motivic cell and its transformations. I hope it can be a fun way to whet the viewer's appetite for the study of counterpoint! ☺️https://peertube.libertus.duckdns.org/static/streaming-playlists/hls/3a18abb1-e3fb-470e-b25d-46b7cfea2511/15899f2c-0cfa-48bb-bf09-b22a1e08de74-master.m3u8https://peertube.libertus.duckdns.org/videos/embed/8b6i32SSnxr7m4hFgFL9kT122052026-09-04T17:50:13.885ZYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/c2CydN3e96Z3NVag3i9KrPhttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/ae1ec713-8ab6-456c-b72b-6a74f1948155.jpgNever Gonna Gifugue Up 🕺🎤 - A 4 voice fugue, but you got rickrolled🎹 Sheet music transcription: https://payhip.com/b/JKcSC Following the fun of "Barbie Girl in the Style of 6 Classical Composers" last summer, the series of fugues based on annoying tunes was due for a sequel.  This time, the contrapuntal throwback takes us to the '80s with Rick Astley’s hit “Never Gonna Give You Up”—famous in its day and even more popular thanks to Internet meme culture and the "rick-rolling" frenzy of the early 2000s.  I've developed the irritatingly infectious short initial motive of the tune into a 4 voice fugue, showcasing the structure with motion graphics and light-hearted commentary. As for the animations, I have also been experimenting with new callout box styles with running parts of the score—I hope they enhance the visualisation of the music! Also, make sure to check out the behind-the-scenes video that Robin and Isak created for this production to get a glimpse of the creative process we went through: https://www.youtube.com/watch?v=_nzgTQ9JE3Y&feature=youtu.be&themeRefresh=1. Robin and Isak are currently working on a documentary about my life as a musician, which is part of a captivating series featuring some truly fascinating individuals as well as me. Stay tuned for the full documentary—it’s almost here! Enjoy the video. 😊https://peertube.libertus.duckdns.org/static/streaming-playlists/hls/594ecc13-987f-45ea-9e85-e01bf5ff32b5/60caa286-8e2b-4cc6-98d1-7755f77430d5-master.m3u8https://peertube.libertus.duckdns.org/videos/embed/c2CydN3e96Z3NVag3i9KrP1800112026-09-04T18:11:51.759Zrickrollrick astleyfuguejosep castanyerclassical musicYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/unJ752BRYgvoBx1VaqaKqxhttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/b08d95a8-09e9-4141-b11e-31fe1001ec26.jpgPedicabo Ego Vos - Roman Song [Farya Faraji & World Musicians]Vocals & music by Farya Faraji. This is another approximation of what ancient Roman music could have sounded like based on the available data, once again using period poetry as the basis for the reconstruction. Roman poetry used the language's short vs long vowel distinction and subsequent stress rules to create poetry based not on rhymes, but on the prosody, creating a rap-like effect with different metres. Therefore, the poems already contain a blueprint of a melodic skeleton with natural indication of where pitch should rise and fall, and applying to this a melody using the attested Greco-Roman modes and their instruments, one can achieve a workable approximation based on the limited data we posess. For more information on Ancient Roman music with academic sources, I refer you to the Epic Talking playlist of video essays on the channel. The mode used here is one of the Greco-Roman chromatic modes, a genus with a distinctly jazz-like sound to our ears due to the close aggregation of direct semitones one after the other. The instruments used are frame drums and aulos. This is one of Catullus' famous poems. Catullus (c. 84–54 BC) was a Roman lyric poet whose short, intensely personal poems transformed Latin literature by shifting it away from public epic and political themes toward private emotion. Drawing on Greek lyric models, he introduced a new poetic voice centered on love, jealousy, friendship, grief, and invective, written with technical precision and emotional immediacy. His work—especially the poems addressed to Lesbia—set the foundation for later Latin poets such as Virgil, Horace, and Ovid, and permanently established lyric subjectivity as a central mode of Roman poetry. Lyrics in Latin: Pēdīcābō ego vōs et irrumābō Aurēlī pathice et cinaede Fūrī. quī mē ex versiculīs meīs putāstīs quod sunt molliculī parum pudīcum. nam castum esse decet pium poētam ipsum, versiculōs nihil necesse est quī tum dēnique habent salem ac lepōrem Sī sint molli...https://peertube.libertus.duckdns.org/static/streaming-playlists/hls/e5c87316-5503-420d-8d14-d3c67e898a63/177d592b-4fba-49ba-9678-9fb47e7af734-master.m3u8https://peertube.libertus.duckdns.org/videos/embed/unJ752BRYgvoBx1VaqaKqx155062026-09-04T21:37:56.902Zroman musicroman songepic roman musiclegio xiv geminalegio fulminataYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/5aVmURbNxfCMSgWak6GccDhttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/b386e354-7b4b-450d-91f0-bdb9df18f25b.jpg"I'm a Barbie girl" but it's a three voice fugue! 🎹 🎤 - Josep Castanyer Alonso🎹 Sheet music transcription: https://payhip.com/b/n7A96 After the overwhelming success of the Swedish ice-cream truck fugue (https://youtu.be/ZV0e7vd0mL8), it was about time to transform yet another famous tune into a fugue. Few pop songs are as catchy as Aqua's hit "I'm a Barbie girl". Here, it becomes a three part fugue, following its traditional structure and backed with some explanatory graphics. A fun summer project, an homage to pop music of the 90's and a way to get back into piano! 😀 Piano, audio and video edition, composition: Josep Castanyer Alonsohttps://peertube.libertus.duckdns.org/static/streaming-playlists/hls/21c72217-66d2-4e77-a88b-716fa65ecbdf/8d1892c9-d8ef-4a0b-82d8-fc3b923114c6-master.m3u8https://peertube.libertus.duckdns.org/videos/embed/5aVmURbNxfCMSgWak6GccD100042026-09-04T21:55:13.228ZYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/2FMYeUDbyqrme88wypFun6https://peertube.libertus.duckdns.org/lazy-static/thumbnails/1422fefc-a8cf-4a7f-8870-f521cf605f70.jpgGuillaume de Machaut: Douce Dame Jolie | La Morra [Muzyka w Raju]Guillaume de Machaut (c. 1300 - 1377) Douce Dame Jolie La Morra: Corina Marti (recorder), Michał Gondko (luthe), VivaBiancaLuna Biffi (voice, vielle), Marc Mauillon (voice) If you like this video you may also like: https://youtu.be/i8Tf1mBzups https://youtu.be/FMsOszNAr4A https://youtu.be/egjHUpR44MQ https://youtu.be/lhqfMK2-zvU https://youtu.be/kkY8o6kD_Ks https://youtu.be/6xf86Xjqzps https://youtu.be/ZsHbvWsHzAc __________________ Directed & edited by Wojciech Zych © __________________ http://www.muzykawraju.pl http://www.facebook.com/muzykawraju [**ORIGINAL VIDEO**](https://www.youtube.com/watch?v=tJS-HZWB3wE)https://peertube.libertus.duckdns.org/static/streaming-playlists/hls/0da779b9-fe60-449b-8bf5-ef60872bc73f/cbc3f6c3-165e-4c3a-8060-74f042718d6f-master.m3u8https://peertube.libertus.duckdns.org/videos/embed/2FMYeUDbyqrme88wypFun6172042026-09-04T22:17:10.865ZDouce Dame Jolie La Morra Marc Mauillon Muzyka w raju YESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/wnhqAHEQhVgmPrfnvU6i49https://peertube.libertus.duckdns.org/lazy-static/thumbnails/1e6ccec4-c138-44a9-8e7e-3abb5a413fd9.jpgSatie’s Rarest Gnossienne [The Music Professor]In this video Matthew King plays Erik Satie's 7th Gnossienne, a beautiful and rarely performed work, closely related to the much more famous 1st Gnossienne. This music was originally part of Erik Satie's extraordinary score for Act I of a poetic drama by Joséphin Péladan called 'Le Fils des Étoiles'. You can hear this music in its original context of Act I of 'Le Fils des Étoiles' in this video: https://www.youtube.com/watch?v=Et-WOhvTxwo Erik Satie: Gnossienne 7 Pianist: Matthew King ⦿ SUPPORT US ON PATREON ⦿ https://www.patreon.com/c/musicprofessor ⦿ BUY US A Kofi ⦿ https://ko-fi.com/themusicprofessor ⦿ Support us on PayPal ⦿ https://paypal.me/themusicprofessor?c... ⦿ SUBSCRIBE TO THIS CHANNEL ⦿ https://bit.ly/3Pnnwon #satie #gnossienne #themusicprofessor Edited by Ian Coulter ( https://www.iancoultermusic.com ) [**ORIGINAL VIDEO**](https://www.youtube.com/watch?v=wH90IGcHQLM)https://peertube.libertus.duckdns.org/static/streaming-playlists/hls/f5eae693-93fe-4058-a649-dae5553f0a82/67ba77f9-0d84-4995-94ed-6744a0d14cf0-master.m3u8https://peertube.libertus.duckdns.org/videos/embed/wnhqAHEQhVgmPrfnvU6i49249062026-09-04T22:21:06.979ZThe Music ProfessorYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/vrSUEJDQDCVLYGFJSzFhgdhttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/5637b880-5284-44bd-b5f5-e38d629186bd.jpgGnossienne 3 - Satie's Mysterious Perfection [The Music Professor]Erik Satie wrote seven Gnossiennes. The third is dated 1890, Like its companions, Gnossienne 3 is radical in conception: It is in A minor and uses only minor chords throughout. Strikingly, the melodic material combines diminished triads (as a melodic shape) over minor chords, and the piece employs a mode of Satie’s invention: a ‘Hungarian minor’ scale with a sharpened 6th. In 1889, Satie had sketched and abandoned a 'Chanson Hongrois' for piano, sensing perhaps that the idiom was a little too conventional (since Liszt and Brahms had already made the Hungarian style popular earlier in the century). However, an element of the Hungarian style affected the modality of the Gnossiennes which he went on to compose in the 1890s. The third Gnossienne also makes extensive use of plagal harmonic progressions (with numerous drops down a 4th) generating a sense of continual downward movement, and frequent cross-rhythmic circling patterns (creating the effect of lostness) over extended plagal cadences. Towards the end of the Gnossienne he employs two expressive downward drops of a third, shortly before the final return of the melody. Satie also pioneered, in this music, an incantatory style that was to have a huge impact on composers in the 20th century. His striking use of accented semibreves with acciaccaturas was much imitated in 20th century music by Debussy, Stravinsky, Varèse, Messiaen and others. All Satie’s Gnossiennes are composed without barlines, and they all have a gently rocking accompaniment in the left hand, with an majestic and mysterious melody floating above it in the right hand. All the Gnossiennes use modes to create intriguing and mysterious melodic lines. The extraordinary simplicity of the musical texture and syntax belies the prodigious originality of the resulting music. Written before Brahms had composed his late intermezzi, these are fabulously experimental pieces in which the form consists of haunting melodic fragments which circle around without...https://peertube.libertus.duckdns.org/static/streaming-playlists/hls/ee75fd14-e908-4f96-a957-73c0f1fc2a1a/8cea4ee0-1bdf-45a1-8a94-872b3e6d9a5f-master.m3u8https://peertube.libertus.duckdns.org/videos/embed/vrSUEJDQDCVLYGFJSzFhgd174072026-09-04T22:28:17.117ZThe Music ProfessorYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/i3Frrp5byoSohupPJTPpyxhttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/e7d40093-a5d3-4c8f-a5fe-3636ae4fdd41.jpgSatie's MAGICAL 4th Gnossienne - Full Animated Score [The Music Professor]Satie wrote down the singular and magical piece (now known as his 4th Gnossienne although in fact he never gave it this title) in 1891. It consists of cross-rhythmic arpeggios in the left hand, moving in parallel motion through six harmonic regions. The right hand plays little exotic fragments over the top. The effect is absolutely enchanting. For more information about this Gnossienne, with the Music Professor's spoken introduction, watch this video: https://youtu.be/2Oxhcu14GGo?si=2JpxsLM-QFXUimOm Erik Satie: Gnossienne 4 Pianist: Matthew King Edited by Ian Coulter ( https://www.iancoultermusic.com ) ⦿ SUPPORT US ON PATREON ⦿ https://www.patreon.com/c/musicprofessor ⦿ BUY US A Kofi ⦿ https://ko-fi.com/themusicprofessor ⦿ Support us on PayPal ⦿ https://paypal.me/themusicprofessor?c... ⦿ SUBSCRIBE TO THIS CHANNEL ⦿ https://bit.ly/3Pnnwon #themusicprofessor #satie #piano [**ORIGINAL VIDEO**](https://www.youtube.com/watch?v=SNDcVajSC30)https://peertube.libertus.duckdns.org/static/streaming-playlists/hls/8a0b264f-8720-44f0-b6f6-87089bdec4a3/7e50076a-abb0-4807-b323-21c7c656c6fe-master.m3u8https://peertube.libertus.duckdns.org/videos/embed/i3Frrp5byoSohupPJTPpyx165082026-09-04T22:36:11.385ZThe Music ProfessorYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/wtZ2vhVLd2KGgKqrSsTXC3https://peertube.libertus.duckdns.org/lazy-static/thumbnails/47f382d9-7509-43c1-9c1c-bdb62918ab36.jpgIs This The Beginning Of Modern Music? (Satie: Gymnopedie 1) [The Musit Professor]Erik Satie wrote his three Gymnopedies in 1888. All three pieces are like different versions of the same music, and each is as radical and as beautiful as the one before. All three pieces have a lilting 3-in-a-bar rhythm, like a slow waltz with a held chord on every 2nd beat. The first Gymnopedie is very famous. Its dream-like character has made it popular with film makers, and it has become a common ‘relaxing classic’. Listeners are consequently unaware just how shockingly radical this decidedly strange music must have seemed in 1888. The music contains a number of elements which were highly unusual, even unique for the period: a subtle, almost bitonal use of modality; numerous dissonances and altered chords; a mysterious circling form; a melody like a procession of notes, often containing intriguing symmetries, and a radical tonal ambiguity. No less extraordinary is the stillness of the music; its non-progressive, non-developmental character - absolutely at odds with the prevailing Austro-German Romantic style of music of the period. With his first Gymnopedie, Satie boldly laid down the gauntlet in redefining what music can be: something ambiguous, static, circular, ambient, evocative…. this is nothing less than the birth of modern music. Erik Satie: Gymnopedie 1 Pianist: Matthew King Satie's second Gymnopedie can be heard here: https://youtu.be/0Sr12K301jY?si=Jwb_joghs43N48F- Satie's first Gnossienne can be heard here: https://youtu.be/4Y42P0G-kGY Satie's second Gnossienne can be heard here: https://youtu.be/B6OFHvHrtB8 Satie’s third Gnossienne can be heard here: https://youtu.be/BY8QDzsDrtQ ⦿ SUPPORT US ON PATREON ⦿ https://www.patreon.com/musicprofessor ⦿ BUY US A Kofi ⦿ https://ko-fi.com/themusicprofessor ⦿ Support us on PayPal ⦿ https://paypal.me/themusicprofessor?c... ⦿ SUBSCRIBE TO THIS CHANNEL ⦿ https://bit.ly/3Pnnwon #Satie #Gymnopedie #themusicprofessor Edited by Ian Coulter ( https://www.ian...https://peertube.libertus.duckdns.org/static/streaming-playlists/hls/f6da6294-8eb0-42ba-a6e6-643562c00efe/24a7920b-9e26-4d37-a8f8-0163702ac63f-master.m3u8https://peertube.libertus.duckdns.org/videos/embed/wtZ2vhVLd2KGgKqrSsTXC3204062026-09-04T22:42:09.843ZThe Music ProfessorYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/twP9RCQD7mNnfco9aQKb2ihttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/4f5525ae-4ed2-473d-b621-4e987b4cb22e.jpgWhen Erik Satie invented a new kind of music: Gnossienne 1 [The Music Professor]Erik Satie wrote seven Gnossiennes. The first is in F minor, and Satie probably composed it in 1890. It was published with two other Gnossiennes in a Paris magazine in 1893. Like his three Gymnopedies of 1888, Satie seems to have created a new genre of piano piece with a title alluding to antiquity. According to the 1865 Larousse dictionary, a Gnossienne was a ritual labyrinth dance created by Theseus when he defeated the Minotaur. But Satie’s involvement in a gnostic religious group (led by Joséphin Péladan who is pictured in the thumbnail), during the time of composition, probably influenced his use of the mysterious title. Satie’s Gnossiennes are composed without barlines, and have a gently rocking accompaniment in the left hand, with an 'exotic' melody floating above it in the right hand. All the Gnossiennes use modes to create intriguing and mysterious melodic lines. The extraordinary simplicity of the musical texture and syntax belies the prodigious originality of the resulting music. Written before Brahms had composed his late intermezzi, these are fabulously experimental pieces in which the form consists of haunting melodic fragments which circle around without any specific direction or goal. In their circularity and stasis they seem to lay down a challenge to German 19th century dominance: music does not have to be developmental; neither does it have to be goal-directed or hierarchical. It can simply float along and be an evocative mystery. Needless to say, Satie’s music had a huge influence on leading composers of the twentieth century including Debussy, Ravel, Stravinsky, Poulenc and, later on, the American pioneer John Cage. Erik Satie: Gnossienne 1 Pianist: Matthew King. All 8 of Satie's Gnossiennes can be heard here: https://youtu.be/Olrn0CyGWp0?si=2nE2sULQsOoR2dXF The 2nd Gnossienne can be heard here: https://youtu.be/B6OFHvHrtB8?si=8MSL1l17QhhWacG9 The 3rd Gnossienne can be heard here: https://youtu.be/BY8QDzsDrtQ?si=c1VJ0giwhrQ...https://peertube.libertus.duckdns.org/static/streaming-playlists/hls/def41da4-bae0-4f77-ae6c-7a2dcbf3320b/66340757-b160-4d3d-a423-ac12e348902a-master.m3u8https://peertube.libertus.duckdns.org/videos/embed/twP9RCQD7mNnfco9aQKb2i204092026-09-04T22:45:31.312ZThe Music ProfessorYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/g7rDFDfnutrJyEmz6gmRrRhttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/a3dc0388-3e3e-41db-8a59-169f6151fda2.jpgSatie's MAGNIFICENT 'Hungarian' 5th Gnossienne - Full Animated Score [The Music Professor]Satie's 5th Gnossienne may have been the first of the set to be composed (possibly sketched as early as). At the time of composition, it would have been viewed as a musical absurdity but it's extraordinary sense of 'stasis in motion' prefigures many subsequent developments in 20th century music. The piece consists of a freely embellished tune, floating, as if endlessly, over a simple vamping accompaniment, but the effect, as always with Satie, is wonderfully fresh and modern. In this longer video Matthew King explains the 5th Gnossienne in the wider context of Satie's life and times: https://youtu.be/pAqv0-39fcM?si=htwt3aqYHhFnRPaD Erik Satie: Gnossienne 5 Pianist: Matthew King Edited by Ian Coulter ( https://www.iancoultermusic.com ) ⦿ SUPPORT US ON PATREON ⦿ https://www.patreon.com/c/musicprofessor ⦿ BUY US A Kofi ⦿ https://ko-fi.com/themusicprofessor ⦿ Support us on PayPal ⦿ https://paypal.me/themusicprofessor?c... ⦿ SUBSCRIBE TO THIS CHANNEL ⦿ https://bit.ly/3Pnnwon #themusicprofessor #satie #piano [**ORIGINAL VIDEO**](https://www.youtube.com/watch?v=O-ydoK7Gu5o)https://peertube.libertus.duckdns.org/static/streaming-playlists/hls/7a5f5987-2721-40ce-b9dc-0f603a10eb2f/f3fd176a-8592-4cab-bcd6-a92dd90ed2fa-master.m3u8https://peertube.libertus.duckdns.org/videos/embed/g7rDFDfnutrJyEmz6gmRrR191042026-09-04T22:50:28.642ZThe Music ProfessorYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/hUwbfeSVtu9D2ZPwzpNimshttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/2f265123-04ab-4ba7-bff5-fc602a11de8f.jpgHow I finished Mozart's D minor Fantasia (animated score) [The Music Professor]This animated score is part of a longer video: https://www.youtube.com/watch?v=drg5Vc3xjYk&t=1077s&ab_channel=TheMusicProfessor Other videos about Mozart on this channel: https://youtu.be/Zi-fdi4-hKY?si=9K1NFGPgaxZbK1c9 https://youtu.be/MzKxWhlZrhk?si=TukNIJ-Q0PWn192j https://youtu.be/g-D_KLkoxi0?si=_vEjKwCLqgIMpYYc https://youtu.be/qC4VCOa51u0?si=bLDoUMJO76rbEiL6 https://youtu.be/kWqECUy3tSk?si=3x2Ymtz4P_jwHrdF https://youtu.be/80gxGnm1vMU?si=M0_Vu3vsmtKNTcPw ⦿ SUPPORT US ON PATREON ⦿ https://www.patreon.com/c/musicprofessor ⦿ BUY US A Kofi ⦿ https://ko-fi.com/themusicprofessor ⦿ Support us on PayPal ⦿ https://paypal.me/themusicprofessor?c... ⦿ SUBSCRIBE TO THIS CHANNEL ⦿ https://bit.ly/3Pnnwon #mozart #dminorfantasia #themusicprofessor Edited by Ian Coulter ( https://www.iancoultermusic.com ) Piano by Matthew King (www.matthewkingcomposer.com) [**ORIGINAL VIDEO**](https://www.youtube.com/watch?v=NpWUKjLzZsc)https://peertube.libertus.duckdns.org/static/streaming-playlists/hls/88e77dda-bf54-4b5b-bbf8-55ac9c5c3d46/7c3f29df-e3e9-4dba-8ec4-f5bec4afe4d9-master.m3u8https://peertube.libertus.duckdns.org/videos/embed/hUwbfeSVtu9D2ZPwzpNims379062026-09-04T23:07:56.478ZThe Music ProfessorYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/f3m3xFEDzcrD81dxF63s3Rhttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/8238ab74-9d60-4ffc-859b-445a052b1c66.jpgBeethoven | Piano Sonata No. 17 in D minor, "The Tempest" | Daniel Barenboim [OndaCC]00:20 1st Movement (Largo, Allegro) 09:05 2nd Movement (Adagio) 18:10 3rd Movement (Allegretto) Work: Piano Sonata No. 17 in D minor, Op. 31, No. 2, "The Tempest" Composer: Ludwig van Beethoven Soloist: Daniel Barenhoim [**ORIGINAL VIDEO**](https://www.youtube.com/watch?v=tiJjoFQtMvg)https://peertube.libertus.duckdns.org/static/streaming-playlists/hls/71b3c801-8044-45b5-8498-08c6bbb1f90d/22e15b36-d723-4f67-9834-3cfa6a6cfbc8-master.m3u8https://peertube.libertus.duckdns.org/videos/embed/f3m3xFEDzcrD81dxF63s3R15460112026-09-04T23:11:16.723ZpianoSONATALUDWIG VAN BEETHOVENONDACCYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/mh2qFBxbAJYJTD8TBuWtpHhttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/604cc82e-15ef-43cb-b373-c2406da3ab64.jpgEvolutionary Tree of Life (Full Series) [UsefulCharts]Buy the chart: https://usefulcharts.com/products/evolution-classification-of-life CHAPTERS 00:00:00 Invertebrates & Fish 00:18:27 Reptiles & Birds 00:37:58 Mammals 00:57:43 Plants & Fungi 01:16:08 Evidence for Evolution CREDITS: Charts & Narration by Matt Baker Animation by Syawish Rehman Audio editing by Ali Shahwaiz Theme music: "Lord of the Land" by Kevin MacLeod and licensed under Creative Commons Attribution license 4.0. Available from http://incompetech.com [**ORIGINAL VIDEO**](https://www.youtube.com/watch?v=ii4510LeRXo)https://peertube.libertus.duckdns.org/static/streaming-playlists/hls/a4338d53-a636-4d88-8db3-94344bb3d27b/9f7e7f0e-a626-4812-87e5-1ffc8a069bde-master.m3u8https://peertube.libertus.duckdns.org/videos/embed/mh2qFBxbAJYJTD8TBuWtpH57940142026-09-05T05:14:18.727ZUsefulChartsYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/avA9quGiz4wf3EkC8fCzishttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/9c4adddb-1342-451d-9db0-c6c2db8a7b16.jpgThree Russian Musicologists Debate Schubert and Bach. [Nidhal Selmi]Russian Musicologists Get Heated Over Schubert at dinner. Natalia Entelis, Ella Fradkina, and Emil Finkelstein in 2019 argue about professional issues. Video from Polina Fradkina's Facebook. Шум вокруг Виленской и Страдариума — три музыковеда после банкета (2019) На тему шума вокруг Виленской и Страдариума. Домашний архив: три музыковеда после банкета, 2019, Петербург, Петроградская сторона. The problem of Schubert's Polyphony. Argument About Classical Music. "DID SCHUBERT KNOW HOW TO WRITE A FUGUE?!" Шуберт учился на фугах товарища Кальдары, товарища Лотти. [**ORIGINAL VIDEO**](https://youtu.be/UPeLLqcNyD4)https://peertube.libertus.duckdns.org/static/streaming-playlists/hls/4d03dc29-4554-4e54-8cba-38a50d8a6bf8/fd41d745-dfc3-45c2-9bd6-bb6032d58afb-master.m3u8https://peertube.libertus.duckdns.org/videos/embed/avA9quGiz4wf3EkC8fCzis129022026-09-05T12:51:51.146ZmusicologyrussianschubertbachHandelYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/vhjz54gXdWcwy3WETgzGJQhttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/ee2a53b6-f768-46b9-afbc-a633d04048ad.jpgSend Us Thine Asteroid, O Lord [Joseph Murray]UPDATE (9-23-26): Wow guys, just wow! One of my friends and colleagues texted me to let me know that not only how they found this video, but that I had passed 1 million views. It's pretty unbelievable, so I just wanted to say thanks to everybody who's been watching and sharing this. I just uploaded a thank you video to this page, which will redirect you to some of my other content where I've shared my work as an independent musician and recording artist. Feel free to check that out, but I'm leaving the link here as well. Thanks so much again! https://www.youtube.com/watch?v=zf4I9JUJ5rE DISCLAIMER (6-19-22): In the interest of clarity, based on some of the commentary here, NO, this is not a real song 🤷🏾‍♂️, YES, the Pastor of the church in question has heard it and thinks it's hilarious, NO, it does not represent the beliefs of this congregation. If your sense of humor is limited by your interpretation of the faith, that sounds like a conversation you need to have with your God. thanks to everybody who shared this, I had no idea it would get that popular 😂😂😂 #Catholic #Music #Church #ChristianMusic #Organ #ChurchOrgan #PipeOrgan #OrganMusic #CatholicHymn #TraditionalHymn #OldHundredth #Doxology #PraiseGod #MusicDirector #Hymn #Liturgy #LiturgicalMusic #RomanCatholic #Vatican #PopeFrancis [**ORIGINAL VIDEO**](https://youtu.be/hkTgYiMDRHY)https://peertube.libertus.duckdns.org/static/web-videos/22d6e1be-9884-4a76-8d1b-a6e23db36c9d-1080.mp4https://peertube.libertus.duckdns.org/videos/embed/vhjz54gXdWcwy3WETgzGJQ151032026-09-28T20:56:59.822ZYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/aZ88hYfaHQP5yAbq1gG33Yhttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/25c1d8ea-2193-427d-8f17-cb5125424837.jpgЭвальд Ильенков о коммунизме [New Left]Оригинальная статья: https://koleyaprava.ru/majdanskij-a-d-ilenkov-o-kommunizme/#_ftn1 Музыка, использованная в видео: "skeleton" (prod. ROLVND) "pestilence" (prod. ROLVND) "last sunset" (prod. ROLVND) "boredom" (prod. ROLVND) "city smog" (prod. ROLVND) [**ORIGINAL VIDEO**](https://www.youtube.com/watch?v=6PpgFJ-OIGk)https://peertube.libertus.duckdns.org/static/web-videos/d2d75954-bded-44d0-9a2d-3215cdae18b9-2160.mp4https://peertube.libertus.duckdns.org/videos/embed/aZ88hYfaHQP5yAbq1gG33Y867022026-09-29T23:24:29.698ZYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/eU3Loig89wQPyZtmQEBVhGhttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/9590980f-ba94-4e44-b5c6-80710f3f4ec7.jpgwhy aske you II [barafostus dreame]by John Bull played on muselaar [**ORIGINAL VIDEO**](https://youtu.be/K7Lb26CDyVs?si=wIQWcybhHZN6NukJ)https://peertube.libertus.duckdns.org/static/web-videos/79531eef-8c7f-48bc-9f76-2f83e0d698ae-1080.mp4https://peertube.libertus.duckdns.org/videos/embed/eU3Loig89wQPyZtmQEBVhG80062026-10-01T15:30:10.239Zrenaissance musicmuselaarvirginalharpsichordjohn bullYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/4fki9mx2PSL4T2ZbbkQTvahttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/c2fe9ee7-e8e4-4f06-846c-e3cc2262c51f.jpgFaure plays Faure [louiu]Gabriel Faure plays Pavane, Op. 50, 1913 Welte Mignon recording. Debussy plays Debussy Children's Corner, https://www.youtube.com/watch?v=oTgno8ztKig [**ORIGINAL VIDEO**](https://youtu.be/_tQ36TFvNoM?si=eeX8eGtSO7v-7HEn)https://peertube.libertus.duckdns.org/static/web-videos/34b1ee4e-658d-49f1-a767-659a3b2dd074-480.mp4https://peertube.libertus.duckdns.org/videos/embed/4fki9mx2PSL4T2ZbbkQTva288092026-10-01T15:34:51.978ZGabriel FauréYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/pvZu7h9EcjNdWaQLmZSY4zhttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/a7387667-592e-4e00-9475-fef00cc2fb89.jpgwhy aske you III [barafostus dreame]third and last set of variations on the theme by John Bull the harpichordium stop used here has just been revoiced yesterday :-) enjoy the groove! [**ORIGINAL VIDEO**](https://www.youtube.com/watch?v=81mIPTBy3m4)https://peertube.libertus.duckdns.org/static/web-videos/a0467f05-16df-4e15-907f-8be549a1bc28-1080.mp4https://peertube.libertus.duckdns.org/videos/embed/pvZu7h9EcjNdWaQLmZSY4z153022026-10-02T15:25:33.578Zrenaissance musicvirginalmuselaarjohn bullwhy ask youYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/pD2TGZPaqyCZ4BvuyJzW9ohttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/f2d9879b-8b6e-4fd2-9b4d-1f9152e4e478.jpgD.Scarlatti - Fandango [baroque6hiro]Genoveva Galvez ( cem ) cembalo is after J.Dulcken ( 1745 ) by Louis van Emmerik ( 1984 ), Leerdam ,Holand [**ORIGINAL VIDEO**](https://youtu.be/QQbW75y3P9g)https://peertube.libertus.duckdns.org/static/web-videos/a772dafb-a5f1-49f1-80c5-b9320aae13b5-1080.mp4https://peertube.libertus.duckdns.org/videos/embed/pD2TGZPaqyCZ4BvuyJzW9o492032026-10-02T15:36:05.202ZfandangoscalratticembaroharpsichordbachYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/mJFAijHoH7R6jaadxZBEBohttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/e9c5b154-178b-44ed-8fb9-17b5e743ee0c.jpgClaude Benigne Balbastre, La Boullogne, Marco Mencoboni Harpsichord [cantarlontano]00:26 - The beginning of the music [**ORIGINAL VIDEO**](https://youtu.be/Gx5p7GxcudY)https://peertube.libertus.duckdns.org/static/web-videos/88cf659d-0639-403a-a72b-69e1d7e758d3-1080.mp4https://peertube.libertus.duckdns.org/videos/embed/mJFAijHoH7R6jaadxZBEBo482052026-10-02T16:01:30.163ZYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/t1JpMjnxxbL5kxQ5UcDt58https://peertube.libertus.duckdns.org/lazy-static/thumbnails/bab127ea-4210-413e-b3f3-692b5691dc6a.jpgPancrace Royer, La Marche des Scythes. Marco Mencoboni harpsichord [cantarlontano]Marco Mencoboni, performing the Marche of Scythes by Pancrace Royer, one of the most virtuoso and eccentric piece for the harpsichord ever written. [**ORIGINAL VIDEO**](https://youtu.be/YwR3I7gZXdE)https://peertube.libertus.duckdns.org/static/web-videos/57323d8e-4b66-4af5-87fc-2738aa1bccb7-1080.mp4https://peertube.libertus.duckdns.org/videos/embed/t1JpMjnxxbL5kxQ5UcDt58506012026-10-02T22:07:07.098ZMarco MencoboniPancrace RoyerMarche ScytesPieces de clavecinBruce KennedyYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/vdqTDbMGLroU1MNWFjmedfhttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/5b9a42d6-6b67-4fc5-bbb1-b0efbece12e5.jpgGabriel Fauré - Sicilienne, for piano, Op. 78 [Nick Constantine]Sicilienne by Gabriel Fauré. Portrait by John Singer Sargent. Performed by Nick Constantine [**ORIGINAL VIDEO**](https://youtu.be/4FY-57Gt1TM)https://peertube.libertus.duckdns.org/static/web-videos/56926e93-b288-400f-a48d-f412f558b454-1080.mp4https://peertube.libertus.duckdns.org/videos/embed/vdqTDbMGLroU1MNWFjmedf210072026-10-02T22:12:20.167ZSiciliennePiano (Musical Instrument)FauréGabriel FauréNick ConstantineYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/72ZkP2tBc9YUG14sp9qUAthttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/32907dfa-83fb-4336-b2e1-dd24559be78e.jpgPiano Concerto in E Major, Op. 59: II. Andante [Michael Ponti]Provided to YouTube by NAXOS of America Piano Concerto in E Major, Op. 59: II. Andante · Michael Ponti The Romantic Piano Concerto, Vol. 3 ℗ 1992 Vox Box Released on: 1992-01-01 Artist: Michael Ponti Conductor: Hans Richard Stracke Orchestra: Philharmonia Hungarica Composer: Moritz Moszkowski Auto-generated by YouTube. [**ORIGINAL VIDEO**](https://youtu.be/pwhYKueSdIY)https://peertube.libertus.duckdns.org/static/web-videos/de8db82b-2288-4d83-b2c0-d7d78b1b0dda-1080.mp4https://peertube.libertus.duckdns.org/videos/embed/72ZkP2tBc9YUG14sp9qUAt486062026-10-02T22:19:13.133ZOp. 59: II. AndanteYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/3Xjz6jkSPrCY2nxJdrnP29https://peertube.libertus.duckdns.org/lazy-static/thumbnails/88b4acc7-175f-4359-ab2c-b106da3e83d1.jpgartofcounterpoint - Smells Like Nirvana Fugue [J B]This is Giovanni Dettori's Smells Like Nirvana Fugue, originally uploaded to his channel artofcounterpoint. After running for almost 10 years, to the surprise and sadness of many, the channel was deleted in early 2020, taking with it dozens each of original compositions, classical arrangements of modern songs, and musical lessons. Some of these videos were saved on Wayback Machine, which is where this one came from, but most were not. I spent months trying to contact Mr. Dettori to ask him what his plans were for all of this, but if I ever managed to reach him, he did not respond. I hope that by making some of these videos available on YouTube again, I can show that there is still interest in artofcounterpoint and perhaps move him to re-release its content in another form, or at least garner an explanation for why it was suddenly taken down. [**ORIGINAL VIDEO**](https://www.youtube.com/watch?v=mHxfWYsg1wI)https://peertube.libertus.duckdns.org/static/web-videos/8e285aa4-c4ec-4f01-8e9d-a8583f9c9ee6-360.mp4https://peertube.libertus.duckdns.org/videos/embed/3Xjz6jkSPrCY2nxJdrnP29199022026-10-04T17:31:41.846ZYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/4TGYxMfn7eeRDTvNmZ4Z9Yhttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/d89bd252-01cc-49ef-bcba-ca26749870cb.jpgJohn Eccles: The Mad Lover | MIREN ZEBERIO Baroque Violin & EUSKAL BARROK ENSEMBLE [Enrike Solinis]Miren Zeberio Baroque Violin Euskal Barrok Ensemble Live in Murgia 2022 Video by Mattin Zeberio Ground John Eccles (1668 – 12 January 1735) [**ORIGINAL VIDEO**](https://www.youtube.com/watch?v=CIsKh3N8ml8)https://peertube.libertus.duckdns.org/static/web-videos/e6a7be3c-c280-4380-9379-c7806a62816a-1080.mp4https://peertube.libertus.duckdns.org/videos/embed/4TGYxMfn7eeRDTvNmZ4Z9Y213032026-10-12T20:05:04.809ZYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/h8RMTmxXETzFgya6c7F9LMhttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/8105ea25-d7fb-42c7-a27c-1c9d60fd0b46.jpgsolving a 4 year internet mystery [Rainbolt]thank you to everyone. produced by: @RobertoHelou 🎵 Copyrighted music licensed from Lickd. https://lickd.co Paradise by Coldplay, https://t.lickd.co/l/MBVg164zm6K MB01BWBPWXSZ8I2 [**ORIGINAL VIDEO**](https://youtu.be/FBeMrUWX73s)https://peertube.libertus.duckdns.org/static/web-videos/ebf4787b-7476-4a81-80fe-85799ffc1fc3-2160.mp4https://peertube.libertus.duckdns.org/videos/embed/h8RMTmxXETzFgya6c7F9LM5171022026-10-14T21:19:47.532ZYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/eAFjRYE7xmzEARHTVLWGrphttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/5aefa068-33f2-42b2-b589-b7ed47312531.jpgAlbinoni - Oboe Concerto #2 in D Minor Op. 9 [HARMONICO101]TOMASO ALBINONI (1671 - 1751) Concerto No. 2 for oboe and strings in D minor Op. 9 1. Allegro e no presto 2. Adagio (3:55) 3. Allegro (7:55) Performed by Il Fondamento Directed by Paul Dombrecht, oboe http://www.ilfondamento.be/ "Piazza San Marco with Jugglers" by Luca Carlevaris (1663 - 1730) *Tomaso Giovanni Albinoni was a Venetian Baroque composer. While famous in his day as an opera composer, he is mainly remembered today for his instrumental music, some of which is regularly recorded. Born in Venice, Republic of Venice, to Antonio Albinoni, a wealthy paper merchant in Venice, he studied violin and singing. Relatively little is known about his life, especially considering his contemporary stature as a composer, and the comparatively well-documented period in which he lived. In 1694 he dedicated his Opus 1 to the fellow-Venetian, Cardinal Pietro Ottoboni (grand-nephew of Pope Alexander VIII); Ottoboni was an important patron in Rome of other composers, such as Arcangelo Corelli. Albinoni was possibly employed in 1700 as a violinist to Charles IV, Duke of Mantua, to whom he dedicated his Opus 2 collection of instrumental pieces. In 1701 he wrote his hugely popular suites Opus 3, and dedicated that collection to Cosimo III de' Medici, Grand Duke of Tuscany. In 1705, he was married; Antonino Biffi, the maestro di cappella of San Marco was a witness, and evidently was a friend of Albinoni's. Albinoni seems to have no other connection with that primary musical establishment in Venice, however, and achieved his early fame as an opera composer at many cities in Italy, including Venice, Genoa, Bologna, Mantua, Udine, Piacenza, and Naples. During this time he was also composing instrumental music in abundance: prior to 1705, he mostly wrote trio sonatas and violin concertos, but between then and 1719 he wrote solo sonatas and concertos for oboe. Unlike most composers of his time, he appears never to have sought a post at either a churc...https://peertube.libertus.duckdns.org/static/web-videos/c71dc1c8-f94d-4465-b9dd-7e23756ba76a-1080.mp4https://peertube.libertus.duckdns.org/videos/embed/eAFjRYE7xmzEARHTVLWGrp632042026-10-22T01:21:31.110ZbaroqueclassicalvenetianvenicevivaldiYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/kzWdgdfc2G2F6HsFDnLkzRhttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/7c009410-75aa-4c8f-9b2e-d78e94b93e1b.jpgDaniil Trifonov - Schumann - Kreisleriana, Op.16 [The Maestro's Corner]*Schumann: Kreisleriana, Op.16* Applause: 00:00 I. Äußerst bewegt (Extremely animated): 0:08 II. Sehr innig und nicht zu rasch (Very inwardly and not too quickly): 2:52 III. Sehr aufgeregt (Very agitated): 13:22 IV. Sehr langsam (Very slowly): 16:37 V. Sehr lebhaft (Very lively): 20:50 VI. Sehr langsam (Very slowly): 24:10 VII. Sehr rasch (Very fast): 28:20 VIII. Schnell und spielend (Fast and playful): 31:02 Pianist: Daniil Trifonov Date: December 8, 2016 Venue: Carnegie Hall, New York, USA **No copyright infringement is intended. This content is uploaded solely for educational and informational purposes. All rights to the original work are owned by their respective copyright holders.** #bach #mozart #beethoven #schubert #sonata #concerto #chopin #schubert #symphony #schumann [**ORIGINAL VIDEO**](https://www.youtube.com/watch?v=8tEMsFTk-1A)https://peertube.libertus.duckdns.org/static/web-videos/c32666d7-b326-40bf-8d4d-d6036c8749ae-720.mp4https://peertube.libertus.duckdns.org/videos/embed/kzWdgdfc2G2F6HsFDnLkzR2120082026-10-22T01:23:31.954ZYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/bpY1iG3BW1DuesceDpQqtPhttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/bf2a5c46-8540-4e9f-9421-e4604ced9639.jpgGrigory Sokolov. Mozart - Piano Sonata No.12 in F Major, K 332 (300k) [Zhanna Gumenyuk]W.A. Mozart - Piano Sonata No. 12 in F Major, K 332 (300k). Grigory Sokolov – piano. Recorded live at the Salzburg Festival in 2008. Best viewed at 1080p. Григорий Соколов. Моцарт - Соната фа мажор, K 332. 00:00 Allegro 10:33 Adagio 16:15 Allegro assai [**ORIGINAL VIDEO**](https://www.youtube.com/watch?v=DK_owDX5WOE)https://peertube.libertus.duckdns.org/static/web-videos/0c6ed322-6d6d-4952-9b80-762682b65722-1080.mp4https://peertube.libertus.duckdns.org/videos/embed/bpY1iG3BW1DuesceDpQqtP1609052026-10-22T01:58:04.955Zmozartsonatak 332kv 332no 12YESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/jALwsFZ86Yxb94kuKczLPnhttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/c7a1e5c9-1c5e-4b76-9172-170c45da4e1f.jpgOPERA PLANET Cecilia Bartoli - Vivaldi : "Armatae face et anguibus" 4K ULTRA HD00:20 - Music begins 🔥🌎www.Opera-Planet.com🌍🔥 OPERA PLANET Creator : David Candela Remastered 4K ULTRA HD High-Resolution Audio Cecilia Bartoli : “Armatae face et anguibus" Oratorio : "Juditha triumphans devicta Holofernis barbarie" Antonio Vivaldi approximately Year 1716 ========= SUMMARY ========= Juditha triumphans devicta Holofernis barbarie (Judith triumphant over the barbarians of Holofernes), RV 644, is an oratorio by Antonio Vivaldi, the only survivor of the four that he is known to have composed. Although the rest of the oratorio survives completely intact, the overture has been lost. The Latin libretto was written by Iacopo Cassetti based upon the Book of Judith. The exact date of composition and performance of Juditha triumphans are not known, but the allegorical treatment of the Venetian defense of Corfu dominated public discussion in Venice throughout 1716. This work was an allegorical description of the victory of the Venetians (the Christians) over the Turks in August 1716. The work was commissioned to celebrate the victory of the Republic of Venice over the Turks during the siege of Corfu: in July 1716, the Turks had landed on Corfu and set siege to the island. The population resisted the occupation and, in August, Venice signed an alliance with the Holy Roman Emperor. On 18 August, under the leadership of count Johann Matthias von der Schulenburg, the decisive battle was won and the Turks abandoned the island. ==== PLOT ==== The Assyrian king Nebuchadrezzar sends an army against Israel to demand overdue tributes. Under the leadership of the general Holofernes, the Assyrians lay siege to the town of Bethulia and are about to conquer it. The young Jewish widow Judith goes to him to implore mercy. He falls in love with her and she indulges him. After a rich banquet and having drunk much wine, Holofernes falls asleep. Judith beheads him, flees the enemy camp, and returns victorious to Bethulia. ======= SCORE ======= All characte...https://peertube.libertus.duckdns.org/static/web-videos/21d8db95-ae3d-4276-90d9-1a5a63e824c5-2160.mp4https://peertube.libertus.duckdns.org/videos/embed/jALwsFZ86Yxb94kuKczLPn265022026-10-23T21:30:25.255Zopera planetoperaplanetdavid candelacecilia bartoliantonio vivaldiYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/s6vKwTLsnGVvzpimac3M5shttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/14648c87-b8ad-4918-98c8-2477790e33a1.jpgVIVALDI // 'Juditha triumphans, RV 644: Air Armatae face et anguibus' by Jupiter [Alpha Classics]Album out in October 2019 Stream//Download//Buy → https://lnk.to/Jupiter_VivaldiID In founding the Jupiter ensemble, the lutenist Thomas Dunford wanted to ‘rediscover the spirit of chamber music in the Baroque repertory. Jupiter operates in a kind of fraternity, as if we had always known each other . . . Vivaldi’s highly contrasted music demands precisely this natural response – almost like improvisation’. Lea Desandre speaks of a ‘search for colour and almost limitless inflections. This music was the “pop” of the eighteenth century’. The Franco-Italian mezzo, named ‘Révélation lyrique’ (vocal newcomer of the year) at the Victoires de la Musique Classique in 2017, performs arias from operas including Il Giustino, Juditha triumphans, Il Farnace and Griselda, as well as the famous ‘Cum dederit’ from the Nisi Dominus. The programme also includes four concertos, for lute in D major, for lute and violin, for bassoon in G minor and for cello in G minor. In addition to Thomas Dunford on lute, Peter Whelan on bassoon and the cellist Bruno Philippe, also a ‘Révélation’ at the Victoires de la Musique (2018), this flamboyant programme features Jean Rondeau on harpsichord and organ, Cecilia Bernardini and Louis Creac’h (violins), Jérôme Van Waerbeke (viola) and Douglas Balliett (double bass). FACEBOOK→ www.facebook.com/alphaclassics TWITTER → www.twitter.com/alpha_classics INSTAGRAM → www.instagram.com/alpha_classics/ YOUTUBE → www.youtube.com/c/alphaclassics WEBSITE → www.outhere-music.com/alphaclassics #classicalmusic #alphaclassics #vivaldi [**ORIGINAL VIDEO**](https://youtu.be/ZxrBSad5FWQ)https://peertube.libertus.duckdns.org/static/web-videos/68ffd71c-20cb-45f2-a022-f2d6621479c8-1080.mp4https://peertube.libertus.duckdns.org/videos/embed/s6vKwTLsnGVvzpimac3M5s209022026-10-23T21:38:45.067Zclassical musicmusique classiqueVivaldiarmatae face et anguibuslea desandreYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/napkEaojWHHcpXQBVqXq8hhttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/aa27efbd-730b-4d2e-a40c-cf0576917b1a.jpgG. Ph. Telemann: Sonata in D major, TWV 44:1 – Bremer BarockorchesterG. Ph. Telemann: Sonata in D major, TWV 44:1 Become a channel member here on YouTube and get early access to our newest videos! https://www.youtube.com/channel/UCkov3ExyrVeVbitm8VE9SdA/join Support us on Patreon: http://www.patreon.com/bremerbarockorchester Follow on Instagram: https://www.instagram.com/bremerbarockorchester/ Bremer Barockorchester: http://www.bremer-barockorchester.de Introduzione: 0:00 Sinfonia: 0:57 Largo: 3:55 Vivace: 6:54 Violin I : Stefano Rossi, Meelis Orgse, Annie Gard, Javier Lupiáñez Violin II: Katia Viel, Anna Stankiewicz, Isidro Albarreal Viola: Alice Vaz, Luis Pinzón Violoncello: Néstor Fabián Cortés Garzón, Azzurra Raneri Double bass: Juan Díaz Trumpet: Julian Zimmermann Oboe: Federico Forla, Beto Caserio Bassoon: Marit Darlang Lute, Guitar: Hugo Miguel de Rodas Sánchez Harpsichord, Organ: Nadine Remmert Camera: Tobias Hentze, Hendrik Röhrs Audio: Fabian Frank www.arcantus-musikproduktion.de Video: Tobias Hentze www.tobiashentze.de Recorded at “Unser Lieben Frauen Church”, Bremen on October 1st, 2021 Supported by: Conrad Naber Stiftung, Waldemar Koch Stiftung, Karin und Uwe Hollweg Stiftung, Der Senator für Kultur Bremen [**ORIGINAL VIDEO**](https://youtu.be/xx8ooc-s7OQ)https://peertube.libertus.duckdns.org/static/web-videos/7c659761-f8f1-43a6-90a5-ec0c8b95c10d-2160.mp4https://peertube.libertus.duckdns.org/videos/embed/napkEaojWHHcpXQBVqXq8h628022026-10-24T14:06:28.028Zclassical musicbaroque musicviolinhiprelaxingYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/uwg2AjFaMjptjWf2gsrg9Whttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/70d7645b-9ac7-4cd2-8475-d5bbac4ab3aa.jpgDurante - Concerto a Cinque in G Minor [HARMONICO101]FRANCESCO DURANTE (1684-1755) Concerto No. 2 for violin, strings, and basso continuo in G minor 1. Affetuoso - Presto 2. Largo affetuoso 3. Allegro affetuoso Performed by The Raglan Baroque Players Featuring Elizabeth Wallfisch, violin Directed by Nicholas Kraemer *Francesco Durante was an Italian composer. He was born at Frattamaggiore, in the Kingdom of Two Sicilies, and at an early age he entered the Conservatorio dei poveri di Gesù Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant'Onofrio. He is also supposed to have studied under Bernardo Pasquini and Giuseppe Ottavio Pitoni in Rome, but there is no documentary evidence. He is said to have succeeded Scarlatti in 1725 at Sant' Onofrio, and to have remained there until 1742, when he succeeded Porpora as head of the Conservatorio di Santa Maria di Loreto, also in Naples. This post he held for thirteen years, till his death in Naples. He was married three times. His fame as a teacher was considerable, and Niccolò Jommelli, Giovanni Paisiello, Giovanni Battista Pergolesi, Niccolò Piccinni and Leonardo Vinci were amongst his pupils. As a teacher, he insisted on the unreasoning observance of rules, differing thus from Scarlatti, who treated all his pupils as individuals. A complete collection of Durante's works, consisting almost exclusively of sacred music, was presented by Selvaggi, a Neapolitan art collector, to the Paris library. A catalogue may be found in Fétis's Biographie universelle. The imperial library of Vienna also preserves a valuable collection of Durante's manuscripts. Two requiems, several masses (one of which, a most original work, is the Pastoral Mass for four voices) and the Lamentations of the prophet Jeremiah are amongst his most important settings. [**ORIGINAL VIDEO**](https://www.youtube.com/watch?v=Bhf1RxQ20Tw)https://peertube.libertus.duckdns.org/static/web-videos/1a6c3949-a24d-48e0-bcee-7ae0552c3394-1080.mp4https://peertube.libertus.duckdns.org/videos/embed/uwg2AjFaMjptjWf2gsrg9W641042026-10-27T23:33:02.699ZdurantepazziabaroqueclassicalneapolitanYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/6pL38ULrkWyqXDBKyaaXYehttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/96ec48e8-d37d-49b5-b32d-d16d2f3c4168.jpgTartini Violin Sonata in G minor ''Devil's Trill Sonata'' [La Stravaganza]Violin Sonata in G minor: 1. Larghetto affettuoso 2. Allegro moderato 3. Andante 3. Allegro assai-Andante-Allegro assai [**ORIGINAL VIDEO**](https://www.youtube.com/watch?v=z7rxl5KsPjs)https://peertube.libertus.duckdns.org/static/web-videos/85721542-8aec-467f-af16-9ae5a2b5c33c-1080.mp4https://peertube.libertus.duckdns.org/videos/embed/6pL38ULrkWyqXDBKyaaXYe990032026-10-27T23:34:35.427ZTartiniViolinSonataminor''Devil'sYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/4bru8DkTLJsmWUypK4sjPwhttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/784d49ed-be52-42bc-8fb2-d9d32c46594f.jpgVivaldi Concerto for Violin and Organ in D minor, RV541 | Fabio Biondi Europa Galante [whomakemef...Antonio Lucio Vivaldi (1678 - 1741) Concerto for violin and organ, strings and basso continuo in D minor, RV541 Konzert für Violine und Orgel, Streicher und Basso Continuo in d-Moll, RV 541 01. Allegro (00:00) 02. Largo (03:28) 03. Allegro (06:39) Rinaldo Alessandrini, harpsichord Fabio Biondi, violin & director Europa Galante Orchestra [on period instruments] ------------------------ Artwork: The Frankenkirche Dresden by Johan Christian Dahl, 1840 [**ORIGINAL VIDEO**](https://www.youtube.com/watch?v=orIkFo1QGgI)https://peertube.libertus.duckdns.org/static/web-videos/6f7d7833-e279-4f0a-9497-7bc50493d37c-720.mp4https://peertube.libertus.duckdns.org/videos/embed/4bru8DkTLJsmWUypK4sjPw526022026-10-27T23:36:15.766ZAntonio Lucio VivaldiVivaldiConcerto for violin and organKonzert für Violine und OrgelConcerti per violino e organoYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/78F8R6Jiq3hHK68vUNBVYThttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/7016ef42-5aa3-4d6a-a47f-430fb1660e0a.jpgMussorgsky: Night on Bald Mountain (Original Version) (Live) [Berliner Philharmoniker - Topic]Provided to YouTube by Universal Music Group Mussorgsky: Night on Bald Mountain (Original Version) (Live) · Berliner Philharmoniker · Claudio Abbado · Modest Mussorgsky Abbado A-Z: Mussorgsky – Pergolesi ℗ 1994 Deutsche Grammophon GmbH, Berlin Released on: 2023-03-24 Producer: Arend Prohmann Producer: Christopher Alder Composer: Modest Mussorgsky [**ORIGINAL VIDEO**](https://www.youtube.com/watch?v=5FhfCYj3GRM) Auto-generated by YouTube.https://peertube.libertus.duckdns.org/static/web-videos/8dd04c22-2c29-4072-ab8b-37f2f5b80991-1080.mp4https://peertube.libertus.duckdns.org/videos/embed/78F8R6Jiq3hHK68vUNBVYT767012026-10-31T15:25:13.173ZBerliner Philharmonikerベルリンフィルハーモニーカンゲンガクダンベルリン・フィルハーモニー管弦楽団베를린 필하모닉Claudio AbbadoYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/1ohxqUFdVarepCCDWD1wkxhttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/7ed7d7ed-0edb-423e-b9ec-7557427d7012.jpgGiuseppe Antonio Brescianello (1690-1758) - Sinfonia à 4 (1738) [PauNG]★ Follow music ► https://www.instagram.com/reciclassicat/ Composer: Giuseppe Antonio Brescianello (1690-1758) Work: Sinfonia à 4 in F-Dur, Opera I (1738) (live recording) Performers: Ensemble Barocco Sаns Sοuci Painting: Circle of Jan Miense Molenaer (1610-1668) - A musical gathering HD image: https://flic.kr/p/2rfr2Wj Further info: https://imslp.org/wiki/Category:Brescianello,_Giuseppe_Antonio Listen free: No available --- Giuseppe Antonio Brescianello [Bressonelli] (Bologna, c.1690 - Stuttgart, 4 October 1758) Italian violinist and composer. He first appears in documents when in 1715 the Elector of Bavaria brought him from Venice to Munich as a violinist. In October 1716, after the death of his predecessor Pez, he became musique directeur, maître des concerts de la chambre at the Württemberg court in Stuttgart, and in 1717 chief Kapellmeister. Between 1717 and 1718 he wrote the pastoral opera La Tisbe, which he dedicated to his employer Archduke Eberhard Ludwig. Hoping this opera would be produced at the Stuttgart Opera, Brescianello wrote in his Präparationen that he had suited its melodies to the theatre taste: but that did not gain him a performance. From 1719 to 1721 he had to face heated battles with his rival Reinhard Keiser, who sought unsuccessfully for Brescianello’s position. In 1731 Brescianello became Rath und Oberkapellmeister. When the court’s finances collapsed in 1737, the Stuttgart opera troupe was dissolved and Brescianello lost his post, which spurred him on to increased activity as a composer. In 1738 (according to EitnerQ) he wrote 12 concerti e sinphonie op.1 and other works, and somewhat later ‘18 Piecen fürs Gallichone’. When the regency of the generous artistic patron Duke Carl Eugen began in 1744, Brescianello was reinstated as Oberkapellmeister ‘on account of his particular knowledge of music and excellent competence’, and until his retirement he brought the opera and court music to renewed fame. He was pensione...https://peertube.libertus.duckdns.org/static/web-videos/b10c251a-8d3e-4e49-a100-1d59adccca54-1440.mp4https://peertube.libertus.duckdns.org/videos/embed/1ohxqUFdVarepCCDWD1wkx498012026-11-02T14:51:06.579ZGiuseppe Antonio BrescianellomusicmúsicaclassicalclásicoYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/w/juwrTomDTusUDA3awaPUdohttps://peertube.libertus.duckdns.org/lazy-static/thumbnails/1dc7a6ec-b507-4ecd-a9ae-a231d786744a.jpgBach - Concerto in A minor BWV 1065 | Netherlands Bach SocietyBach arranged various Vivaldi concertos for organ and harpsichord. The Concerto in A minor, performed by Siebe Henstra, Menno van Delft, Pieter-Jan Belder and Tineke Steenbrink for All of Bach, is largely based on Vivaldi's Concerto in B minor for four violins and orchestra. But of course, he gave it an exciting twist, as in Bach’s version the soloists play harpsichords and B minor changed to A minor. Recorded for the project All of Bach on April 16th 2016 at Ottone, Utrecht. If you want to help us complete All of Bach, please subscribe to our channel http://bit.ly/2vhCeFB or consider donating http://bit.ly/2uZuMj5. For the interview with the harpsichordists on the Concerto in A minor go to https://www.youtube.com/watch?v=IT3sDx94wM0 For more information on BWV 1065 and this production go to http://allofbach.com/en/bwv/bwv-1065/ All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material http://allofbach.com/en/. For concert dates and further information go to https://www.bachvereniging.nl/nederlandse-bachvereniging. Netherlands Bach Society Siebe Henstra, harpsichord 1 Menno van Delft, harpsichord 2 Pieter-Jan Belder, harpsichord 3 Tineke Steenbrink, harpsichord 4 Harpsichord 1: Titus Crijnen, 1992 after Johannes Ruckers, 1638 Harpsichord 2: Bruce Kennedy, 1989 after Michael Mietke Harpsichord 3: Titus Crijnen, 2013 after Blanchet Harpsichord 4: Lutz Werum, 2003 after Johannes Ruckers 0:00 [...] 4:06 Largo 6:17 Allegro #bachvereniging #nederlandsebachvereniging #netherlandsbachsociety #classicalmusic #classical #bach #jsbach #earlymusic #historicallyinformedperformance #allofbach #harpsichord #concerto #vivaldi #baroquemusic #music [**ORIGINAL VIDEO**](https://youtu.be/emkJ0A7IfkY)https://peertube.libertus.duckdns.org/static/web-videos/3c171dcd-784d-4204-8d11-e39ccb90f161-1080.mp4https://peertube.libertus.duckdns.org/videos/embed/juwrTomDTusUDA3awaPUdo586012026-11-03T00:58:12.070ZBWV 1065Concerto in A minorConcert in a kleinBachConcertoYESBober's ArchiveNOhttps://peertube.libertus.duckdns.org/c/bober_channel/videoshttps://peertube.libertus.duckdns.org/a/bober/video-channels